Media can play a
huge role in raising awareness about bullying and violence in the queer
community, but unfortunately, this isn’t always accomplished in a way that
really captures the reality of this violence. A perfect example of this comes
from the show Glee, in an episode
entitled “Never Been Kissed”, in which Kurt, the only ‘out’ gay person at his
school, deals with constant harassment and violence from a bully while everyone
else remains silent, but eventually gains the courage to confront this person.
While this may seem like a very empowering plot, there are quite a few flaws
that make this episode inaccurate and maybe even a bit offensive.
Although I’m sure
the intention of this episode was to address the issue of gay bulling, the
writers chose to use very cliché and stereotypical examples of this. One of the
first signs of this you see is when Kurt is pushed into a locker by someone
most people would call a ‘jock’. This in itself only promotes the idea that
masculine males are never accepting of LGBTQ identified people. This is
furthered by the fact that Kurt, the only gay character on the show at this
point, is portrayed as very feminine, though clearly not all gay men are. Also,
when told to split into boys’ and girls’ teams, Kurt goes over to the girls’
side. This again is very assumes that Kurt considers himself more of a girl
than a boy, rather than a boy who behaves in a feminine way. However, the most
disturbing aspect of this episode is the phrases used to describe Kurt’s
struggle. While these are supposed to show the hardships a lone gay male faces
at school, this purpose loses meaning when Kurt says things like, “this is my
hill to climb alone” or “you can’t punch the gay out of me”(“Never”). These
sorts of portrayals of gay violence not only use stereotypical judgments about
what the bully would be like, but also portray a stereotype of a gay male,
which I personally find offensive.
In her article
about queer life in the Chicano community, Cherrie Moraga talks of a queer
Aztlan as tierra sagrada, or sacred
ground (Moraga 151). This is seen as a place where queer people would no longer
face persecution, or as a sort of paradise. This concept is also apparent in
this episode of Glee. When Kurt
visits an all-boys school with a zero-tolerance policy for queer bullying, it
seems a perfect place for him to escape from the intolerance he faces at his
current school. While a place like this would be considered ideal for many,
this portrayal of it is quite misleading. Zero-tolerance policies may be
present, but how to enforce these can be difficult and unclear, and many times,
this bullying is still present, but is just not publicly seen. Nan Stein, in
her article about bullying, argues that a zero-tolerance policy will group all
incidents together without addressing the underlying issue of why someone is
being bullied. However, a zero-indifference policy ensures that those in charge
would, “notice the behaviors, comment on them, intervene, and make corrections
accordingly” (Stein 32).
Using media as a
tool to raise awareness about bullying in the queer community is definitely a
way to get people to realize that these incidents are still occurring in our
own backyard. However, using stereotypical representations of the people
involved is not the way to do so. If the producers of Glee really want to help the gay community, they will have to start
by addressing more realistic situations and stop these overdramatized,
stereotypical plots.
“Never Been Kissed.” Glee. Fox. 9 Nov. 2010. Television.
Moraga, Cherrie. “Queer Aztlan: the
Reformation of the Chicano Tribe” from The
Last Generation. South End Press, 1993.
Stein, Nan. “Bullying, Harassment,
and Violence among Students” in Radical
Teacher, No. 80. “Teaching Beyond Tolerance” Winter 2007 30-35
I agree with the points you are making about Hollywood stereotyping what it means to be “gay” and how others might deal with it. It does seem rather unrealistic that only one student, a jock, would be bullying Kurt. In addition, while Kurt’s feminine nature is possibility for gay students, it is definitely a stereotypical representation that could be considered offensive to more masculine gay men. I have seen this episode of “Glee,” and I also found it odd that Kurt always chooses to join the girls’ team. Without realizing it, I believe the writers are actually bringing up a completely different issue of gender identification. In the essay “Deconstructing Trans,” Riki Wilchins states, “Looking gender normative is vital to social acceptance. That’s why few things are more uncomfortable than seeing someone who’s gender you can’t discern or more socially unacceptable than being a man who looks and acts like a woman” (Wilchins, 56). He is basically saying that what tends to make people more uncomfortable is when a person identifies with the opposite gender. In “Glee,” it seems that, by joining the girls’ group, Kurt is choosing to identify as female rather than male. If this is the case, the writers of this television show are either unaware of the concept of transgender identification, or they are accidentally grouping the two identities together. I think it is great for a popular television show, such as “Glee,” to introduce queer topics in their episodes; but I think that they might educate themselves more on these subjects to avoid accidental stereotyping.
ReplyDeleteWorks Cited:
Wilchins, Riki. "Deconstructing Trans." Print. Rpt. in Comp. Joan Nestle, Clare Howell, and Riki Wilchins. Los Angeles, California: Alyson Publications, 2002. 55-66. Print.
Allison makes a valid point in addressing whether Kurt from the show may just identify as transgender instead of gay, as many people would assume. In this comment, I would like to further discuss one of my previous posts on coping with harassment in the LGBTQ community while referencing and analyzing Kate Bornstein’s “Send in the Clowns.”
ReplyDeleteFrom the way this episode is described, it appears like a typical case of bullying. A gay individual gets bullied by the masculine, heterosexual jock at school. But I feel that the show portrays something unusual; Kurt is choosing not to hide his sexual identity from the world, and it is unfortunate that he may not be able to do so comfortably. Bornstein writes that these members of the LGBTQ do have choices: “[they] can get real good at hiding, or [they] can get beat up. [They] can commit suicide – or [they] can learn how to laugh” (Borstein 89). There are many different ways of coping with harassment; however, many of these methods often involve being comfortable in who you are. She also addresses how these people who “don’t play by the rules” are often “considered trouble-makers, whatever their line of work” (90).
Bernstein continuously refers to these transgendered individuals as ‘fools.’ But she does not write about them in a negative way. She discusses their ability to use humor as a method of coping, since these are the individuals that put pressure on the ‘norms’ of society. Society’s desire is to remain inflexible, but transgendered people have the power to stretch its borders (92).
References
N KATE BORNSTEIN "Send in the Clowns" from Gender Outlaw: On Men, Women and the Rest of Us. New York: Vintage Press, 1995.